2019
Ring Them Bells
300+ Posters
Bobst Who?
Letters Must Not Distract Drivers
Waldorf Astoria
Lineto 3.0
The Right to Be Forgotten
Lock, Stock and Barrel
Lining Up for Libra
2018
The Eurostile Revival Starts Right Here
NYSE: SPOT IPO
2017
Shapes to be Remembered
No More Geometric Sans Serifs!
Expanding the Meaning of ‘Non-Latin’
The Tyranny of Greece over Germany
TATE ETC. ETC. ETC.
2016
Coast to Coast (RI from Chicago)
Un-Doing a Re-Design
How Could We Lose that Election?
Hordes of Type Designers in the Making
Tate Modern is Ready for a Female Director
Some Revenues and Pitfalls of Glocalisation
2015
Swiss Watches (and a Typeface) for the World
Bringing Subtitles to the Forefront
2014
An Old German Typeface Meets Arab Modernism
Make the Alphabet Great Again
Billions of Circular b’s to Come
Belated Showcase for Lineto’s First Ever Non-Latin Typeface that Never Was
50 Shades Of LL Grey in 20 Copies
Cash In, Sell Out, Fuck Off
2013
Typesetting Type History
Swiss Prismaset Awards
Linotype Company Name Disappears
When Designers Become Programmers
Basel Now Has a Cutting-Edge Foundry, Too
2012
Institutional Practise
Grand Opening in a Small City
Re-Activating Team’77
An Italian Journey
Early Signs of LL Riforma are Spotted
Monotype Grabs Platform for Independent Type Designers
2011
Re-Discovering Tratex
The One Early Grotesk Picked by an Early Jan Tschichold
No Irony Intended Here
There’s Work to be Done
From Design to Wine
2010
LL Brown Goes Online
Put it on da Insta
From Now on a Website Can Almost Look Like a Printed Page
This One’s for the Kids
2009
Black Hole Sun over Zurich
Writings on the Wall
Navigating an Independent Foundry Between @font-face, Typekit and WOFF
CSS3 and Typekit Further Advance the Use of Web Fonts
Where is Print Media Headed?
A New Foundry in Lucerne, Switzerland
2008
Elektrosmog Conquers Leipzig
The Year’s Smartest Font
Circular Thinking
Travelling with Gulliver
The (Un-)Expected Return of @font-face
2007
A German-Israeli Designer Couple from New York Moves to Ascona, Switzerland
Windlin Succeeds Rappo
Who Could Have Identified This on the Spot?
Vienna Brings LL Akkurat To Kassel
Is It Time for a New Roman Yet?
The Race for the New Geometric Sans Serif Has Opened
Small Screens Make Online Content Ubiquitous
Why 256 Glyphs Won’t Suffice Anymore
2006
A Grotesk Threesome
Collective Punch Out
Who Makes Fonts?
MonoLinoType
Adobe and Linotype in Arabia
2005
‘If Assholes Could Fly …’
And The Winner Is (Not) …
Why Go Beyond Latin?
Lineto Starts Loving Unica
How to Determine the Colour of a Font
2004
From Tate to Henry
An In-house Successor
First Ever Akkurat Book
When Attitudes Become Font
Lineto 2.0
The Fresh Prince of Chreis Foif
This is Where the Digital Resurrection of Monotype Begins
Embedding Fonts in Flash to Bring Them onto the Web
The Center for Arabic Typography is Now in Amsterdam
2003
Feeling Lucky in Sweden
Post-Colonial Type Souvenir
The Idea of Weather
The Tricky Politics of Trans-Cultural Type-Design
Prisma is Set to Come Back
Where’s the Party At?
‘Non-Latin’ Type Design Enters Academia
2002
Hektor Does Vectors
Viewed from Milan, Lausanne Now Beats London
Unions of Sorts Start at Cooper
Room for Rent
LL Numberplates Return to Motor Cars
Theatrical Turmoil in Zurich
2001
Simplifying Air Traffic
2000
The Big Font Mash
Royal Graduates
A New Online Playground
A Legal Issue For Beginners
A Piece of Swiss Coding Magic Leaves Artsy Americans Awestruck
1999
A Londoner explores Switzerland
The Real Art of Sweden
Zurich Vernacular Design
How Gentrification Came to Lucerne
A New Norm
Starting Up
Gavillet & Windlin Type Design
CSS2 Has Potentially Opened the Path for New Web Fonts, But …
1998
Caught on the Fly
Lineto Goes Online and is Incorporated
FontLab for Mac Gives Birth to the Type Design Generation
Early ECAL Spin-Off
Swiss Federal Office for Beauty
1997
Nonchalant Networking
Pronto Touches Ground in the Lofty Berlin Art Scene
Linotype is Now Officially a Library
1996
What Mogadishu Stands For, Actually
ECAL Students Get Free Copies of Latest Lineto Disks
The ‘Font Wars’ are Over, Aren’t They?
First Web Fonts
1995
Critical Feminist Leftist Queerish Art Theory
Big German Companies Start Asking for Websites
More Lineto for FontFont
The Internet, For Real
The Days of Fontographer Grow Numbered
Pierre Keller is Enthroned at ECAL
1994
The Web Browser That Helps Make the Internet
1993
Zurich Poster Boy
It’s Lineto!
1992
An Illinois Tech Student Named Marc Andreessen
1991
(Dis-)Information
Faces of the Moment
New Font Formats and Encoding
The One Digital Font Used in Almost Every Re-Designed Magazine
Future Former Capital
HTTP & HTML
1990
Stephan Müller Becomes an Advocate (and Owner) of the Personal Computer
FontShop + Neville Brody = FontShop International
1989
Packing Floppy Disks
Did Somebody Say DTP … ?
The Fall of the Berlin Wall is Preceded by the Foundation of FontShop
Haas Foundry Shut Down
1988
1987
London Calling
Linotype Adapts to the PostScript Age and is Taken Over by German Banks
1986