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«The New Wave»","«ß Wax»","«Da Funk»","«Rollin’ & Scratchin’»","«Indo Silver Club»","«Musique»","«Around the World»","«Burnin’»","«Daftendirekt»","«Fresh»","«Funk Ad»","«High Fidelity»","«Oh Yeah»","«Phœnix»","«Revolution 9»","«Rock’n Roll»","«Teachers»","«WDPK .7 FM»","«One More Time»","«Aerodynamic»","«Aerodynamite»","«Crescendolls»","«Digital Love»","«Face to Face»","«Harder, Better, Faster, Stronger»","«High Life»","«Nightvision»","«Short Circuit»","«Superheroes»","«Too Long»","«Veridis Quo»","«Voyager»","«Ouverture»","«The Brainwasher»","«Emotion»","«Make Love»","«On/Off»","«The Prime Time of Your Life»","«Root Rock»","«Steam Machine»",[12104,12105,12106,12107,12108,12109,12110],"Around The World","French Touch","Get Lucky","Homework","Interstella 5555","Doin’ it Right","Electroma",[12112,12113,12114,12115,12116,12117],"The time is right to put my arms around you. You’re feeling right. You wrap your arms around, too. But suddenly I feel the shining sun. Before I knew it this dream was all gone.","We are human after all… Much in common after all.","I’ve been, for sometime, looking for someone. I need to know now, please tell me who I am.\n","Home. Hold on. If love is the answer you’re home.","We’ve come too far to give up who we are so let’s raise the bar and our cups to the stars!","I’ll just keep playing back these fragments of time. Everywhere I go these moments will shine.",[12119,12120],"Both Homem-Christo and Bangalter have no interest in being celebrities or discussing their private lives. In the rare events of interviews, Bangalter did the the talking journalists. With regard to working and collaborating with other artists, Homem-Christo sees it as a matter of timing and creativity, rather than fame and opportunity. He once stated in an interview:“Well that depends on what we want to do at the time. It depends. I don’t know. Yeah, exactly. There are all these considerations you’re talking about. But yes, it just depends on the moment you’re asked. If you feel it and if you feel something creatively interesting then it’s possible. For everything that we’re asked to do, if we have a creative answer and think we might bring something to a project then we can do it. But if we don’t have any ideas or don’t think we can push the envelope by creating with anybody... well, if you take Sébastien Tellier for example it is one of the few collaborations where I had the idea that I could do something and bring something to it. But it’s all about the moment and the situation. When it feels right to us, when we feel it we do it, and when we have the time. There’s so many factors. Just as their costumes put up a physical boundary between themselves and their audience, Daft Punk enjoy a “total separation” between their private and public lives, which is precisely what they want. “We don’t talk about our private lives because they’re private,” says Bangalter with a laugh. “Plus, the public image is more fun and entertaining anyway.” Instead of desiring traditional fame and worldwide recognition, Bangalter says they’re more interested in “changing the world without anybody knowing who we are, which is a very different ego fantasy, and it seems to be the premise for much more exciting developments.”","Pour cet album, le duo a fait appel à de nombreux musiciens avec dans l’esprit de créer une œuvre aux accents seventies. Thomas Bangalter et Guy-Manuel de Homem-Christo font donc appel notamment à Nile Rodgers et Giorgio Moroder. Il s’agit de rendre hommage à ces musiciens et, au-delà de cela, de collaborer avec eux. Il y a une volonté de travailler en équipe et non plus seulement en binôme : « Après avoir enregistré nos trois premiers albums, nous NE VOULIONS PAS retourner en studio et reFAIRE un travail à deux comme auparavant. Cela aurait été une expérience bien moins enrichissante que de s’ouvrir aux autres» De plus, le groupe a délaissé les boîtes à rythmes pour privilégier de vrais batteurs. Il en est de même pour la basse, la guitare, le piano et les cuivres. Le «hit» Get Lucky, est par exemple enregistré par Daft Punk avec Omar Hakim (batterie), Nathan East (basse), Nile Rodgers et Paul Jackson, Jr. (guitare), Chris Caswell (claviers), Pharrell Williams (chant). Nul ne les voit s’arrêter en tout cas. Poussé à filer la métaphore de deux robots qui disparaissent pour devenir des étoiles, Jean-Michel Jarre, figure tutélaire de l’électro, a rebondi : “Non, les étoiles, ce sont des astres que l’on voit quand ils sont morts, eux sont bien vivants et vont continuer leur carrière”. Passeront-ils par la case album solo ? C’est ce qui arrive en général avec les duos de la French Touch, comme les deux membres de Air, Nicolas Godin et Jean-Benoît Dunckel, qui en sont à plusieurs projets personnels. Un album de Gaspard Augé, moitié de Justice, est également annoncé par la presse spécialisée.",{"credits":12122,"designers":12125,"description":12127},{"text":12123,"title":12124},"\u003Cp>Designed by Robert Huber, released by Lineto in 2021.\u003Cbr>Font engineering and mastering by Alphabet, Berlin.\u003C/p>","Credits",{"text":12126,"title":11893},"\u003Cp>(*1982) completed Fachklasse Grafik in Lucerne in 2006 and received a BA in Graphic Design from ECAL/University of Art and Design Lausanne in 2010. In 2012, he founded his graphic design studio in Lausanne. 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